#Adobe after effects cs5 serial mac full version
The full version of Mocha 2 that does not ship with After Effects CS5 has a newly designed interface, motion blur mattes and an image stabilization module. There has been some confusion regarding Mocha for After Effects CS5 v2 and the full version of Mocha 2 from Imagineer Systems. The Mocha Shape plug-in is now included, which allows you to create roto-mattes in Mocha 2 and import the rotoscope data, with variable, per-point edge feathering. Mocha provides 2.5D planar tracking of your footage and creates tracking and corner-pin data that can easily be imported back into your After Effects project. This tool is great for separating your foreground elements from the background to apply affects and do simple composites and color grading, but it won’t work miracles and it is still quite time-consuming to achieve a good extraction.Ī special version of Mocha for After Effects CS5 v2 ships as a standalone application along with Mocha Shape for creating roto-mattes. Locked-off shots with a still background and contrasting colors and lighting seem to work best. Also, don’t expect the same quality matte results that you would get from shooting your subject against a green screen.ĭepending on your footage, if you have a busy background or the lighting is uneven and dark, the Roto Brush tool has a hard time distinguishing between foreground and background. A simple change on one frame may affect 10 to 15 frames after it, so it’s best to create short sections of about 15 frames instead of a full footage sequence from the beginning.
The only downside is that the Roto Brush is looking at pixels in a sequence, instead of drawing vectors that can easily be edited along the timeline. It affects edge smoothness, feathering, chatter, and even motion blur–which is critical when matting people and objects when they’re moving. The new Refine Matte effect, which is also applied when you use the Roto Brush tool, can be used with any matte layer as a standalone effect. Then use the red brush to identify the background.
You start by selecting the foreground object with broad strokes of the green brush, and then reduce the brush size to pick up stray elements such as edge highlights, hair, ears, and so forth. At first glance, it appears similar in function to the old Photoshop Extract plug-in, but it works much differently, since it spans several frames of footage at a time. The most publicized new feature in After Effects CS5 is the Roto Brush tool. With improved color management and the included plug-ins like Synthetic Aperture’s Color Finesse 3 and Apply Color LUT, it’s easy to add these native formats to your production directly from the source. After Effects CS5 can now read native AVC-Intra files from Panasonic’s P2 cards, and raw R3D (RED Cam) footage. AVC-Intra and RED compatibilityĪs the popularity of tapeless HD digital video workflows increases, so do the demands for post-production to accommodate these new formats with a minimal amount of pre-processing and data wrangling. After Effects is not backward compatible with older versions, so it’s a good idea to keep your copy of After Effects CS4 installed so you can work on your existing projects and access your 32-bit plug-ins.
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